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September 15, 2019, 4:00 pm

 

HERE THERE AND NOWHERE

Band:HEAVENS CLUB
Album:HERE THERE AND NOWHERE
Label:Profound Lore
Format:LP
Genre:SHOEGAZE/SYNTH POP

Formed in Oakland, CA, HEAVEN’S CLUB began as the project of Shiv Mehra during downtime while off tour with his band Deafheaven. It then expanded to include Deafheaven drummer Dan Tracy, Nadia Kury, Chris Natividad, Ross Peacock and Luis Mayorga. Finding ground in introspective lyricism and progressive, ethereal sonics, HEAVEN’S CLUB achieves a careful balance between punching urgency and distant atmosphere. Recorded at Santo Studios in Oakland, CA, Heaven’s Club producer and engineer Andrew Oswald acts as a seventh member and brings rich texture and nuance to Mehra’s vision. Of the project, Mehra says: “Heaven’s Club is the fog of memory and insubstantial fantasy. The songs reside in the liminal space between love and the end of suffering. They reach toward an ambiguous desire for peace - a deeply felt longing.”

 

 

LIVE AT ROADBURN

Band:ORANSSI PAZUZU
Album:LIVE AT ROADBURN
Label:ROADBURN
Format:CD
Genre:PSYCH DOOM

Not meant for genre purists, oranssi pazuzu are on a trip all their own; modern electric pioneers on an expedition to unlock the keys to the hidden spaces all around and inside us. from roadburn.com: in 2016, we introduced them as “a giant that stalks these mostly otherwise untrodden lands,” referring to the finnish extreme psych scene that invaded tilburg with such remarkable results, and called them “a true beacon of experimentalism and innovation,” and we mean it even more for 2017. the obelisk: “oranssi pazuzu, who released their fourth album, värähtelijä, in 2016, may have conjured the finest blackened psychedelia i’ve ever seen. it was so much of both, so chaotic and yet purposeful, that to consider it anything less than the work of masters would be completely underselling it. when i was done taking photos, i went out into the hallway to walk around to the other side of the room and i couldn’t believe it was still daytime. and more over, the sun had come out! something so cosmically abysmal just seemed like it should be swallowing any and all light around it, but so it goes. stately and ferocious, they cast their waves of of bleakness over a sea of nodding heads.” the sleeping shaman: “the finns are doing a comeback show, because last year they mesmerized everyone het patronaat. this time it is not much different as the band completely warps whatever you think black metal is, into something that is definitely spiced up with krautrock, prog and more strange spices. jazzing it up and down to calm passages, where the music just flutters all over, the band completely captures the crowd again with another tumultuous outbreak. psyching out, spinning long atmospheric parts and then just grabbing you by the throat once more. you can just not grasp oranssi pazuzu, simple. ”

 

 

LIVE AT ROADBURN

Band:ORANSSI PAZUZU
Album:LIVE AT ROADBURN
Label:ROADBURN
Format:2LP
Genre:PSYCH DOOM

Not meant for genre purists, oranssi pazuzu are on a trip all their own; modern electric pioneers on an expedition to unlock the keys to the hidden spaces all around and inside us. from roadburn.com: in 2016, we introduced them as “a giant that stalks these mostly otherwise untrodden lands,” referring to the finnish extreme psych scene that invaded tilburg with such remarkable results, and called them “a true beacon of experimentalism and innovation,” and we mean it even more for 2017. the obelisk: “oranssi pazuzu, who released their fourth album, värähtelijä, in 2016, may have conjured the finest blackened psychedelia i’ve ever seen. it was so much of both, so chaotic and yet purposeful, that to consider it anything less than the work of masters would be completely underselling it. when i was done taking photos, i went out into the hallway to walk around to the other side of the room and i couldn’t believe it was still daytime. and more over, the sun had come out! something so cosmically abysmal just seemed like it should be swallowing any and all light around it, but so it goes. stately and ferocious, they cast their waves of of bleakness over a sea of nodding heads.” the sleeping shaman: “the finns are doing a comeback show, because last year they mesmerized everyone het patronaat. this time it is not much different as the band completely warps whatever you think black metal is, into something that is definitely spiced up with krautrock, prog and more strange spices. jazzing it up and down to calm passages, where the music just flutters all over, the band completely captures the crowd again with another tumultuous outbreak. psyching out, spinning long atmospheric parts and then just grabbing you by the throat once more. you can just not grasp oranssi pazuzu, simple. ”

 

 

LIVE AT ROADBURN 2018

Band:HELL
Album:LIVE AT ROADBURN 2018
Label:ROADBURN
Format:LP + CD
Genre:BLACKENED DOOM

Some bands welcomed to the stage at Het Patronaat draw clear inspiration from texts like Dante’s Inferno. If anything, it makes perfect sense to have biblically heavy, soul crushing music performed in a space that was once a church. Few bands have upheld this notion as thoroughly as Oregonian blackened doom outfit Hell. Their 2016 performance featured a violinist and a performance touching upon much of their discography, including both tracks from the otherworldly devastating III album. With the recent release of Hell’s self-titled album, their first in five years, we’re thrilled to welcome them back to perform this new release in its entirety. They comment: “Roadburn is an incredible experience and Hell is honored to perform there once again.”

 

 

COLD WAR ON THE ROCKS - DISCO AND ELECTRONIC MUSIC FROM FINLAND 1980-1991

Band:VARIOUS ARTISTS
Album:COLD WAR ON THE ROCKS - DISCO AND ELECTRONIC MUSIC FROM FINLAND 1980-1991
Label:SVART
Format:CD
Genre:Synth Disco

The sequel to the compilation Satan in Love, Cold War On The Rocks presents 20 tracks from the history of Finnish disco and early electronic music. The journey goes from orchestral disco to experimental electronic sounds and back. It includes lone 7” singles from relatively unknown performers, interesting album cuts from artists who are better known in completely different musical genres, and also a few electronic artists whose work is rather underrated.

 

 

COLD WAR ON THE ROCKS - DISCO AND ELECTRONIC MUSIC FROM FINLAND 1980-1991

Band:VARIOUS ARTISTS
Album:COLD WAR ON THE ROCKS - DISCO AND ELECTRONIC MUSIC FROM FINLAND 1980-1991
Label:SVART
Format:2LP
Genre:Synth Disco

The sequel to the compilation Satan in Love, Cold War On The Rocks presents 20 tracks from the history of Finnish disco and early electronic music. The journey goes from orchestral disco to experimental electronic sounds and back. It includes lone 7” singles from relatively unknown performers, interesting album cuts from artists who are better known in completely different musical genres, and also a few electronic artists whose work is rather underrated.

 

 

MIREL WAGNER

Band:MIREL WAGNER
Album:MIREL WAGNER
Label:SVART
Format:LP
Genre:DEATH BLUES

Before Mirel Wagner's Sub Pop debut in 2014, this self titled LP (2011) kicked her domestic career off. Out of print for years and not previously available in North America, this LP repress is on grey vinyl and limited to 500 copies. TRACKLIST: 1: To The Bone 2: The Well 3: No Death 4: No Hands 5: Red 6: Despair 7: Joe 8: Dream 9: The Road

 

 

BLOOD AND WINE

Band:GOATESS
Album:BLOOD AND WINE
Label:SVART
Format:CD
Genre:DOOM METAL

Bacchus cult with their third, and highly anticipated new album Blood and Wine. Riffs of biblical, Cecil B. DeMille magnitude, part the Red Sea and chariot their way across the dunes like a relentless raging Roman legion. Expert songwriting by modern veterans of the scene, Sweden s Goatess take the traditional doom metal foundations of St Vitus, Trouble and early Cathedral out to the desert and mould it into a set of arid, hypnotic stoner grooves. Bringing to mind modern classics of desert rock like the catchier moments of Kyuss’s Sky Valley and Corrosion Of Conformity’s Blind album, Blood and Wine is a thirst quenching refreshment in a parched dust bowl. The revitalised lineup of Kenta Karlbom (drums) and Niklas Jones (guitar) with new initiates Karl Buhre (vocals) and Samuel Cornelsen (bass) have struck a mother lode of gold with their rich doom pedigree and a new found life‐blood in their chemistry. Having already tread the hallowed boards of sonic temples all over Europe several times, Blood and Wine will see the Goatess cult of doom enthusiasts drawn in anew and the Bacchanalia cult swelling in their hooded numbers. 9 doses of intoxicating mesmerism that showcase seasoned and masterful command of doom‐craft, this album marks Goatess finding a stride in their cloven hooves. Captivating and subtly epic songs steamroll a slow descent into the underworld deserts of your mind, providing a suitable companion to nights of group debauchery or solo excursions to the soul’s outer limits. Giving in to the Bacchanalia at the heart of this record induces a mythical orgy of sonic Sabbathian riff‐worship that’s impossible to deny. Once you pop the cork on this barrel‐fermented vintage cask, you will enjoy and savour every heavy gulp until the very last drop.

 

 

BLOOD AND WINE

Band:GOATESS
Album:BLOOD AND WINE
Label:SVART
Format:2LP
Genre:DOOM METAL

Bacchus cult with their third, and highly anticipated new album Blood and Wine. Riffs of biblical, Cecil B. DeMille magnitude, part the Red Sea and chariot their way across the dunes like a relentless raging Roman legion. Expert songwriting by modern veterans of the scene, Sweden s Goatess take the traditional doom metal foundations of St Vitus, Trouble and early Cathedral out to the desert and mould it into a set of arid, hypnotic stoner grooves. Bringing to mind modern classics of desert rock like the catchier moments of Kyuss’s Sky Valley and Corrosion Of Conformity’s Blind album, Blood and Wine is a thirst quenching refreshment in a parched dust bowl. The revitalised lineup of Kenta Karlbom (drums) and Niklas Jones (guitar) with new initiates Karl Buhre (vocals) and Samuel Cornelsen (bass) have struck a mother lode of gold with their rich doom pedigree and a new found life‐blood in their chemistry. Having already tread the hallowed boards of sonic temples all over Europe several times, Blood and Wine will see the Goatess cult of doom enthusiasts drawn in anew and the Bacchanalia cult swelling in their hooded numbers. 9 doses of intoxicating mesmerism that showcase seasoned and masterful command of doom‐craft, this album marks Goatess finding a stride in their cloven hooves. Captivating and subtly epic songs steamroll a slow descent into the underworld deserts of your mind, providing a suitable companion to nights of group debauchery or solo excursions to the soul’s outer limits. Giving in to the Bacchanalia at the heart of this record induces a mythical orgy of sonic Sabbathian riff‐worship that’s impossible to deny. Once you pop the cork on this barrel‐fermented vintage cask, you will enjoy and savour every heavy gulp until the very last drop.

 

 

REPULSIVE MORBIDITY - A BOXFUL OF FOETAL MUSH

Band:XYSMA
Album:REPULSIVE MORBIDITY - A BOXFUL OF FOETAL MUSH
Label:SVART
Format:5LP
Genre:Death Metal

Finland’s Xysma’s chameleon‐like career took them from primitive grindcore to stoner fuzz pop over the course of a decade. They are among the early Scandinavian pioneers of not only grinding death metal but death ‘n’ roll and stoner rock as well. The Repulsive Morbidity box set aims to paint a complete picture of Xysma’s first period between 1988 and 1991. The journey begins in 1988 with the debut demo when the band still used the name Repulse, and continues with another demo from around the point in early 1989 when the band were just about to become Xysma. The demo period finishes with the official demo Swarming of the Maggots. Disc two consists of Xysma’s EP and mini album releases Fata Morgana and Above the Mind of Morbidity while the third disc consists of the only album during this early period, Yeah. This limited box set also contains two additional records, with good quality mixing desk recorded live material from the early days and recently unearthed prestudio rehearsal material recorded before the sessions for Yeah and Above the Mind of Morbidity. These feature unheard versions and even some material left off the actual records. Repulsive Morbidity was compiled together with the band and comes with a lengthy new interview plus liner notes. Apart from the official records, most material on this set has never been available on vinyl or is completely unreleased.

 

 


 
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